Die Allzweck-Reiniger von Der General bringen strahlende Sauberkeit und angenehme Frische in Ihr Zuhause. Zusätzlich sorgen die vielfältigen Duftformen. DER GENERAL Bergfrühling sorgt für perfekte Reinigung, strahlenden Glanz, schnelles Trocknen ohne Nachwischen und eine langanhaltende Frische im. DER GENERAL Universalreiniger. Neuer Glanz mit dem 1. Wisch DER GENERAL Allzweckreiniger sorgen für perfekte Reinigung, lang anhaltenden Duft.
Der General Universal BergfrühlingDer General Bergfrühling beseitigt sowohl hartnäckigen Schmutz als auch im Online-Shop erhältlich: Der General Küchenreiniger Zitrone Die Allzweck-Reiniger von Der General bringen strahlende Sauberkeit und angenehme Frische in Ihr Zuhause. Zusätzlich sorgen die vielfältigen Duftformen. von mehr als Ergebnissen oder Vorschlägen für "der general reiniger".
General Reiniger Langanhaltender Glanz und Frische VideoDIY natürliche Putzmittel • Allzweckreiniger, Spülmaschinen-Paste, Teppich- \u0026 Abflussreiniger
Despite her fondness for acting, she found herself most comfortable in the world of silhouettes and shadow theater. Her debut in producing filmed silhouettes came in ; these were handcut figures designed as titles for a film by Wegener, The Pied Piper of Hamelin.
Wegener had discovered her while she was cutting silhouettes behind the stage in Reinhardt's theater. She performed another task for Wegener, finding a way to move wooden rats and guinea pigs for a sequence in the film; Wegener had tried and failed to capture this part of the story using real animals.
Her first silhouette film, The Ornament of the Loving Heart, a brief piece completed in , began her extensive career in creating works in this genre.
Wegener introduced Reiniger to a circle of young artists who had formed a studio to produce animated works, one of whom was Carl Koch, Reiniger's future husband.
Reiniger and her colleagues became important innovators in the technique of animation, creating their own tools such as a special animation stand with different planes upon which to place silhouettes of various sizes, allowing them to film complex scenes with different figures in the foreground and background.
The Adventures of Prince Achmed, which Reiniger finished in after three years of devoted labor, is considered by most film historians to be the first full-length animated film.
Described by Cecile Starr as "a tale of sorcery and splendor, a kidnapped princess, a magic horse, and friendly and monstrous creatures," the film was financed by a German banker, Louis Hagen, who had been impressed by Reiniger's early work.
As Reiniger recalled in , Hagen's plan for a full-length picture in silhouettes at first raised a wave of skepticism in her and in the filmmakers whom she consulted.
Undaunted by the task and unencumbered by close ties to the existing film industry, Reiniger decided to accept the assignment. Other leading figures in experimental movie making, who likewise felt themselves outside the ranks of established filmmakers, accepted her invitation to join in the project.
These included Koch, whom she had married in , and such luminaries as Walter Ruttmann and Berthold Bartosch. Notes film historian Ally Acker , this talented crew drew on "a compendium of experimental techniques.
Ruttmann, after four years of service in World War I , had given up a painting career to enter the field of animation, and in he had taken the novel step of screening an abstract animated film for a general audience.
Their combined ability to create realistic backgrounds augmented Reiniger's talent for producing lifelike figures. The film was made in a garage studio at Hagen's home in the Berlin suburb of Potsdam.
Decades later, Reiniger still remembered the low roof in the attic studio and the need to place the glass plate for the silhouettes close to the floor in order to situate the camera above it.
To move her figures, she had to kneel on the seat of an old automobile. Prince Achmed was filmed on five reels and ran for more than an hour.
It required more than , photographs to produce its effects, each second of film containing 24 separate shots. Reiniger had to study the actual movement of people and animals in order to produce seemingly natural movement on the part of her artificial creations.
She cut out her figures freehand, making smaller and larger versions of the same figure for use in close-ups or more distant shots.
Backgrounds were produced by using layers of tissue paper. Her cutouts were made from black cardboard and thin lead.
Each arm and leg was a separate piece joined to the body by wire hinges. Reiniger produced the emotional effects she sought by moving the cutouts slightly with her fingers.
By placing a strong light below the glass animation table, she made the black cutout figures highly visible while the same light made wire hinges disappear.
A wire attachment in the camera moved the film one frame at a time, as Reiniger delicately altered the position of her figures.
Reiniger's skill in this art became renowned. One of the key scenes in Prince Achmed exemplifies the complex results of her efforts.
In it two characters, the good witch and the sorcerer, are battling for a magic lamp. As the fight proceeds, the two figures change into different animals, and their struggle conclude with each throwing flames at the other.
In later years, one of her young collaborators, animator Pat Martin, described how "the beauty of the outcome" disguised the tedious, skilled labor that went into the finished product.
Reiniger has expressed mild interest in the title and suggests passing it to his younger brother Harlan Reiniger a historian and PBS documentary producer, but in general considers the title an anecdote and curiosity of no real world importance.
From Wikipedia, the free encyclopedia. Scott Reiniger. White Plains , New York , U. BBC News. May 26, Please contact us. Preferably use in combination with a foam system.
After cleaning, rinse with clean water. It is mandatory to procure user consent prior to running these cookies on your website.
Press Enter. Cleaning Solutions. General Household. Stefanie Sendelbach. Peer comments on this answer and responses from the answerer agree.
Tradesca X. Stefanie Sendelbach : :. Claire Bourneton-Gerlach. Edith Kelly. Martina Frey.